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It was probably the first and last time anyone ever saw net points pay off. Is it true that you became a millionaire off the first “Rocky”? He was told that if he wanted to bring Butkus, they’d have to travel economy - by train - to the shoot location in Philadelphia. When he landed “Rocky,” he bought his dog back and planned to feature him in the movie. “They had Redford, Nick Nolte, Jimmy Caan, Ryan O’Neal, Burt Reynolds - who were all in their prime - and then you had some loser named Sylvester who was just naive enough to hang on,” says Stallone, who at the time had $100 to his name and famously had to sell his bull mastiff, Butkus, to pay rent on his Hollywood apartment. When given the opportunity to sell the rights to his screenplay to producers Winkler and Robert Chartoff, he would only agree to do so if he could play the lead. You root for the underdog, and he had something to fight for - her.” He happens to box for a living, but the story is about his love for. “It is really a metaphor for life,” he says. Stallone says his story, about a no-name club fighter in Philadelphia, isn’t about boxing. The genesis of “Rocky” dates back to 1975, when Stallone, born in Manhattan’s Hell’s Kitchen, was a broke, struggling actor who wrote the script in three and a half days after watching little-known fighter Chuck Wepner show tremendous heart in battling into the final round against boxing champ Muhammad Ali.
#ROCKY BALBOA SPEECH TO SON MOVIE TV#
“We’re very anxious to make it.” Stallone divulged that there are also ongoing discussions about a “Rocky” prequel as a TV series, likely for a streaming platform. “We’re very high on it,” says Winkler, noting negotiations are underway for Stallone to write and star in the film.
#ROCKY BALBOA SPEECH TO SON MOVIE MOVIE#
He discloses in our interview that he is working on a new “Rocky” movie for Winkler’s production company and MGM (which co-own the franchise) about the onetime boxing champ befriending a young street fighter living in the U.S.
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He went on to reprise his role in the two “Creed” movies. It wasn’t until the 2006 release of “Rocky Balboa,” which he wrote, directed and starred in, that Stallone got back in the good graces of Hollywood. (In May, after years of agency jumping, Stallone rejoined CAA.) He was dropped by his agency, CAA, and manager, who told him they couldn’t find work for him and suggested that he seek new representation. Describing how extinct he felt during those fallow years, Stallone says, “I was going the way of the dodo bird and the Tasmanian tiger.” Stallone also speaks openly about his painful struggle with an industry that once recognized him as one of the biggest box office draws in the world and then rejected him for some 15 years following the 1990 flop “Rocky V” and other bombs, including the 1992 comedy “Stop! Or My Mom Will Shoot,” that he headlined. “It was shocking that it never came to be, but I was told, ‘Hey, you got paid, so what are you complaining about?’ I was furious.” That said, he blames his own naiveté and lack of business savvy at the time for not pushing the issue hard enough: “You don’t want to ruffle the feathers of the golden goose.” “Every word, every syllable, every grammatical error was all my fault,” he says. “I have zero ownership of ‘Rocky,’” he tells me when we sit down at Variety’s Los Angeles headquarters. He earned net points on the original movie - which cost just over $1 million to produce and grossed $225 million globally - and received first-dollar gross on the early sequels.īut Stallone insists that being deprived of an equity stake in the franchise, an annuity of sorts that he could have left to his children after his death, remains a real sore spot.
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Over the years he has amassed a multimillion-dollar fortune off the eight-picture “Rocky” series that includes the “Creed” and “Creed II” spinoffs. Stallone suddenly went from being an actor living on the edge in a Hollywood apartment to a global household name. “Rocky” became a surprise box office hit and critical darling, garnering 10 Oscar nominations, including best actor and original screenplay for Stallone, and winning for best picture, director and film editing. Until now, Stallone, 73, never talked publicly about the deep-seated resentment he’s harbored for decades over not being given any ownership of the lucrative series that launched with the 1976 original film that he conceived, wrote and starred in.